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Graham Burnett\u003c\/span\u003e\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cp\u003e\u003cstrong\u003ePublishing date:\u003c\/strong\u003e \u003cspan\u003eMarch 2016\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n  \u003cp\u003e\u003cstrong\u003eBinding: \u003c\/strong\u003e\u003cspan\u003eLarge-format paperback book with 4 colour printed acetate jacket, numerous gatefolds and 8 Japanese papers\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eContent:\u003c\/strong\u003e \u003cspan\u003e214 pages, 95 colour plates\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003e\u003cspan\u003e24 x 35 cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLanguage:\u003c\/strong\u003e English\u003cbr\u003e\u003cstrong\u003ePublisher: \u003c\/strong\u003eMack\u003cbr\u003e\u003c\/p\u003e\n  \u003cp\u003e\u003cstrong\u003eISBN:\u003c\/strong\u003e \u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e978-1-910164-47-1\u003c\/span\u003e\u003c\/p\u003e\n  \u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n  \u003cp\u003eThe catalogue comprises 65 works (plus details) and includes all of the 30 works in the exhibition to create the most comprehensive book of Struth’s recent work.\u003c\/p\u003e\n  \u003cp\u003eThomas Struth is renowned for his practice of creating singular images, each within strictly segregated subject fields: architecture, portraiture, landscape and, most recently, sites of technological and scientific research.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNature \u0026amp; Politics\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplores in depth diverse strands of Struth’s enquiry, whilst also elaborating the interstices between them, to present the most significant current monograph of the artist’s work.\u003c\/p\u003e\n  \u003cp\u003eIn recent years technology and the constructed landscape have become overarching subjects for Struth. Photographing at sites of techno-industrial and scientific research, including physics institutes, pharmaceutical plants, space stations, dockyards, nuclear facilities and operating theatres – he has focused on machines which are some of the transformative instruments of our contemporary world, and edifices of technological production where the heights of human knowledge are enacted, debated and advanced. These works explore the aesthetics of innovation and experimentation through the recording of structural complexities and allude to the hidden structures of control, power and influence exerted by advanced technologies.\u003c\/p\u003e\n  \u003cp\u003eIn the same period, Struth was working on two quite distinct projects. The first was Disneyland, a theme park which was famously constructed by reference to Walt Disney's memories of his trips across Europe, transforming the passive experience of watching and of fantasy into a latent reality in California. Struth was attracted to this ultimate human-crafted environment, where technology has facilitated the materialisation of images from Walt Disney's imagination.\u003c\/p\u003e\n  \u003cp\u003eThe second project was the contested landscape of Israel and Palestine where Struth created a series of images which collapsed his strict subject fields, producing urban landscapes, portraits, landscapes and photographs of technology. Each photograph is a fragment which attempts to grasp the circumscribed reality of a region where coexistence has failed.\u003c\/p\u003e\n  \u003cp\u003eStruth seeks, in his own words, “to open the doors to what our minds have materialised and transformed into sculpture and to scrutinise what our contemporary world has created in places which are not accessible to most people.” His images penetrate and report on the material spaces of the human imagination, and they are born from an accelerated moment when technology and the image industry have brought physical reality and the imagination closer together\u003c\/p\u003e\n  \u003cp\u003eThomas Struth (b. 1954) is internationally recognised for his wide-ranging work, which includes photographs of urban views and architecture, landscapes, portraits, museums and places of worship. He trained at the Kunstakademie Düsseldorf (1973–80), and, during that time, he was the first artist in residence at the P.S.1 Studios in Long Island City. From 1993 to 1996 he was the first Professor of Photography at the newly founded Hochschule für Gestaltung, Karlsruhe. He has exhibited all over the world, and a large number of monographs have been published of his oeuvre, including\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.mackbooks.co.uk\/books\/1053-Thomas-Struth.html\"\u003eThomas Struth\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(MACK, 2014), and Thomas Struth: Unconscious Places (Schirmer\/Mosel, 2012).\u003c\/p\u003e\n  \u003cp\u003eTouring exhibition:\u003cbr\u003eMuseum Folkwang, Essen\u003cbr\u003eMartin-Gropius Bau, Berlin\u003cbr\u003eHigh Museum, Atlanta\u003cbr\u003eSt Louis Art Museum\u003cbr\u003eMoody Center for the Arts, Houston\u003c\/p\u003e\n  \u003c\/div\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":51505519296853,"sku":"9781910164471","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/IMG_2111.webp?v=1789562469"},{"product_id":"luigi-ghirri-ivo-rambaldi-italia-in-miniatura","title":"Italia in Miniatura - Luigi Ghirri \u0026 Ivo Rambaldi","description":"\u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n  \u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eBetween the late 1970s and mid-1980s, Luigi Ghirri made a series of photographs meditating on the landscape of his native Italy, all within the grounds of a single theme park in Rimini, Emilia-Romagna.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cp\u003e\u003cstrong\u003ePublishing date:\u003c\/strong\u003e \u003cspan\u003eJanuary 2024\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n  \u003cp\u003e\u003cstrong\u003eBinding: \u003c\/strong\u003e\u003cspan\u003eEmbossed paperback\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eContent:\u003c\/strong\u003e \u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e 160 pages\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eFormat: \u003c\/strong\u003e\u003cspan\u003e25.3 x 31.5cm\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n  \u003cp\u003e\u003cstrong\u003eISBN:\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e 978-1-915743-30-5\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n  \u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n  \u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n  \u003cp class=\"p1\"\u003eThe popular tourist destination Italia in Miniatura presents scale models of Italy’s major natural and architectural landmarks, brought together in surreal proximity. Ghirri photographed this fabricated world with a characteristic sensitivity for visual coincidence and irony, illusion and reality, ambiguity and artifice. Reflecting on photography’s own processes of shrinking and representing, these images are among Ghirri’s most distinctive, playful, and conceptually compelling.\u003cbr\u003e\u003cbr\u003eThis new book presents the entirety of Ghirri’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIn Scala\u003c\/em\u003e series, expanded with numerous previously unseen images, and places them in conversation with work by the park’s founder and designer, Ivo Rambaldi. Rambaldi’s maps, sketches, collages, and reference images, made on exhaustive research trips across Italy, offer an analogous exploration of the possibilities and paradoxes of miniaturisation. Their frank functionality resonates with Ghirri’s embrace of the perspective and tools of the ama-teur. 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It is completed by a series of images by photographer and theorist Joan Fontcuberta in response to Ghirri’s and Rambaldi’s encounters with the park.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003c\/div\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":51505648730453,"sku":"9781915743305","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/IMG_2123.webp?v=1789562472"},{"product_id":"berlin-living-rooms-dominique-nabokov","title":"Berlin Living Rooms - Dominique Nabokov","description":"\u003cp\u003e‘When I received an invitation from the American Academy in Berlin to spend a few months in the German capital, I knew it would be my last chance to at last make Berlin Living Rooms. The Berlin of 2014 was a far cry from the divided and battered Berlin of the 1960s and 1970s I had known. 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An instant classic if ever there was one.\u003c\/span\u003e\u003c\/h1\u003e\n \u003cdiv\u003e\n \u003cp\u003eFor us at IDEA, Eimear’s photographs of Irish teenage girls were so good, they were impossible not to publish.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003cdiv\u003e\n \u003cdiv\u003e\n \u003cdiv\u003e\n \u003cp\u003e\u003cem\u003e\u003cstrong\u003eEimear Lynch Girls’ Night\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n \u003cp\u003eForeword by Simone Rocha\u003cbr\u003eWriting by Gráinne McCullough, Marley Nolan \u0026amp; Eimear Lynch\u003c\/p\u003e\n \u003cp\u003eClothbound hardcover with tip-on image 30 x 23cm\u003cbr\u003e128 pages\u003c\/p\u003e\n \u003cp\u003eSecond edition of 500\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003cp data-start=\"861\" data-end=\"1204\"\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eBinding:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cspan\u003eClothbound hardcover with tip-on print\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eContent: \u003c\/strong\u003e128 pages\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eFormat:\u003c\/strong\u003e \u003cspan\u003e23 x 30cm\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eLanguage:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e English\u003c\/span\u003e\u003c\/p\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":52069447434581,"sku":"GIRLSNIGHT2E","price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/Girls_Night_Eimear_lynch_IDEA_BOOK_PARAIS_DIGITAL_SUPERSTORE_1.jpg?v=1789562578"},{"product_id":"swimmers-by-larry-sultan","title":"Swimmers - Larry Sultan","description":"\u003cp class=\"p1\"\u003e‘I wanted to do something so absolutely different, and physical, and in a certain way, kind of ill-conceived… I took my camera and went underwater in a bunch of pools. And made pictures.’\u003cbr\u003e\u003c\/p\u003e\n  \u003cp class=\"p1\"\u003eBetween 1978 and 1982, in a departure from the collaborative conceptual work that he had become known for, Larry Sultan photographed people learning to swim in public pools in San Francisco. Initially inspired by black-and-white documentary photograhs he found in a Red Cross swimming manual, Sultan soon began exploring an urge to create pictures that were physical, sensual, immersive, and painterly. The resulting work is saturated with colour and inflected by the unpredictable forms and chance abstractions which emerge through the distorted refractions of the water as a second lens. Often beautiful and regularly unsettling in their ambiguity, the series builds to create a feeling of sensory immersion alive with the fluid and uncertain atmospheres to which Sultan was drawn.\u003c\/p\u003e\n  \u003cp class=\"p1\"\u003eThis collection presents all the pictures from the series Sultan himself chose and exhibited, and expands to include additional images he marked on contact sheets as well as further selections from his archive which he likely never even reviewed.\u003c\/p\u003e\n  \u003cp data-start=\"861\" data-end=\"1204\"\u003e\u003cstrong\u003ePublishing date:\u003c\/strong\u003e \u003cspan\u003eApril 2023\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eBinding:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cspan\u003eEmbossed hardcover\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eContent:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cspan\u003e144 pages\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eFormat:\u003c\/strong\u003e \u003cspan\u003e30 x 25.2cm\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eLanguage:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e English\u003c\/span\u003e\u003c\/p\u003e\n  \u003cp data-start=\"861\" data-end=\"1204\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eISBN 978-1-915743-05-3\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":52070025429333,"sku":"9781915743053","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/IMG_2248_8288edc6-6305-464f-8d29-c5959f63bb13.webp?v=1789562585"},{"product_id":"scrap-book-by-henri-cartier-bresson","title":"SCRAP BOOK - Henri Cartier Bresson","description":"\u003cp\u003eHenri Cartier-Bresson was taken prisoner by the Germans in 1940. 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Following his death in 2004, the Fondation Henri Cartier-Bresson, the present owner of the prints, finished the job of restoring them, making it possible to bring a large body of his extraordinary work to the public, images that have now become a memorial collection after all.\u003c\/p\u003e\n \u003cp\u003e\u003cspan\u003e2. Edition 09\/2014\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. Edition 10\/2006\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eBinding:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cspan\u003eHardback \/ Leather\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eContent:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cspan\u003e264\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eFormat:\u003c\/strong\u003e \u003cspan\u003e27 x 32 cm\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eLanguage:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e French\u003c\/span\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eISBN 978-3-86521-353-2\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":52070048792917,"sku":"9783865213532","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/IMG_2833.png?v=1789562588"},{"product_id":"segregation-stories-by-gordon-parks","title":"Segregation stories - Gordon Parks","description":"\u003cp\u003eGordon Parks: Segregation Story features a broad selection of images – most of them published for the first time – from Gordon Parks’ powerful 1956 photographic series documenting the “Restraints: Open and Hidden” on an extended African American family persevering in the segregated South. Originally commissioned for Life magazine, Parks’ work resulted in the creation of hundreds of transparencies, representing one of his earliest social documentary studies on color film, only a fraction of which had been reproduced.\u003c\/p\u003e\n \u003cp\u003eGordon Parks: Segregation Story is published in conjunction with an exhibition at the High Museum of Art, Atlanta, and is organized jointly by Brett Abbott, the High’s Keough Family Curator of Photography and Head of Collections, and Peter W. Kunhardt, Jr., Executive Director of The Gordon Parks Foundation. The book includes contributions by Michael E. Shapiro, Nancy and Holcombe T. Green, Jr., Director, High Museum of Art; Maurice Berger, Research Professor and Chief Curator, Center for Art, Design, and Visual Culture, University of Maryland, Baltimore County; and the esteemed journalist and civil rights activist Charlayne Hunter-Gault.\u003c\/p\u003e\n \u003cp\u003e\u003cspan\u003e2. Edition 09\/2015\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. Edition 12\/2014\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eBinding:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Hardback\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eContent:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cspan\u003e120 pages, 101 images\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eFormat:\u003c\/strong\u003e \u003cspan\u003e25 x 29 cm\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eLanguage:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e English\u003c\/span\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eISBN 978-3-86930-801-2\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":52070068846933,"sku":"9783869308012","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/IMG_2247.png?v=1789562592"},{"product_id":"fragments-of-fietas-by-david-goldblat","title":"Fragments of Fietas - David Goldblatt","description":"\u003cp\u003eBetween 1948 and 2016, David Goldblatt returned periodically to Fietas, a suburb west of Johannesburg’s city centre, to photograph the impact of punitive segregation and ethnic cleansing wrought by apartheid legislation on its residents and landscape. Moved by the life force of the predominantly Indian community’s families, shopkeepers, and small business owners, Goldblatt attempted ‘to grasp something of their life and what they had built.’ \u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eThe resulting photographs, collected and published here for the first time, form a vivid social document of Fietas before, during, and after its destruction under the Group Areas Act. Earlier images of storefronts and domestic interiors contrast poignantly with those of their demolition from the late 1970s onwards. Dignified portraits of traders in their stores capture their determined efforts to build a life for their families. Interviews with past and present Fietas residents close the book, recalling the testimonials of Goldblatt’s subjects in \u003c\/span\u003e\u003cem\u003eThe Transported of Kwandebele \u003c\/em\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cem\u003eEx-Offenders at the Scene of Crime\u003c\/em\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n  \u003cp data-start=\"861\" data-end=\"1204\"\u003e\u003cstrong\u003ePublishing date: \u003c\/strong\u003e\u003cspan\u003eSeptember 2025\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eBinding: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003ePaperback with flaps\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eContent:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cspan\u003e224 pages\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eFormat:\u003c\/strong\u003e \u003cspan\u003e24 x 28 cm\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eLanguage:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e English\u003c\/span\u003e\u003c\/p\u003e\n  \u003cp data-start=\"861\" data-end=\"1204\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eISBN 978-1-917651-08-0\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":52070093029717,"sku":"9781917651080","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/IMG_2229.webp?v=1789562595"},{"product_id":"wires-crossed","title":"WIRES CROSSED - Ed Templeton","description":"\u003cp\u003ePart memoir, part document of the DIY, punk-infused subculture of skateboarding as it came of age in the 1990s and early 2000s, the Wires Crossed of Ed Templeton (b. 1972) pulses with the raw, combustive energy of Templeton’s image-making from the last twenty-plus years.\u003c\/p\u003e\n  \u003cp\u003eIllustrated by photographs, collages, texts, maps, and other ephemera from Templeton’s journals, Wires Crossed offers an insider’s look at a subculture in the making and reflects the unique aesthetic stamp that sprang from the skate world he helped create. Templeton occupies the rare position of having been a professional skateboarder, a two-time World Skateboarding champion, as well as a photographer and artist working within the skateboard community as it gained increasing cultural currency in the 1990s and beyond. His work first gained recognition as part of the Beautiful Losers collective loosely gathered around Aaron Rose’s Alleged Gallery on Manhattan’s Lower East Side.\u003c\/p\u003e\n  \u003cp\u003eThis work, much of it previously unpublished and unseen, explores Templeton’s own journey as an image maker, as well as the lives of professional skateboarders as they spent long hours crisscrossing the world on tour, reveling in their newfound status as rock star–like figures and the eternal search for new terrain to skate. 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The famed British press, street and nightlife photographer deep-dived into his archive to pull out the most amazing pictures of couples kissing, canoodling, snogging and generally getting off with each other. 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It provides a unique glimpse into the world of traditional Japanese tattooing in Tokyo in 1970, and it’s a collection of photographs capturing the Japanese art of Irezumi (often associated with the Yakuza, but also widely recognized for its cultural significance and artistry).\u003cbr\u003e\u003cbr\u003eMartha Cooper came to Tokyo in 1969. She soon became interested in the local art of tattooing and began documenting the work of traditional Japanese tattooist Horibun\u003cbr\u003e\u003cbr\u003eI who worked with traditional Japanese methods, tattoos made by hand, with different sized bundles of needles bound to sticks which he dipped into coloured inks. His motifs were derived from traditional Japanese legends.\u003cbr\u003e\u003cbr\u003eTokyo Tattoo 1970 tells the story of a Japanese tattoo master and his work. It shows him at work, with his customers, their tattoos, and it follows Horibun I on a pilgrimage to a holy Shinto shrine. 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It was published by Caldecot Chubb in New York in an edition of only five, and has since become Eggleston’s rarest collectible book. This new Steidl edition recreates the full original sequence of photos in a single volume, making it available to the wider public for the first time.\u003c\/p\u003e\n \u003cp\u003e\u003cem\u003eElection Eve\u003c\/em\u003e contains images made in October 1976 during Eggleston’s pilgrimage from Memphis to the small town of Plains, Georgia, the home of Jimmy Carter who in November 1976 was elected 39th President of the United States. Eggleston began photographing even before he left Memphis and depicted the surrounding countryside and villages of Sumter County, before he reached Plains. 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Starting from his earliest photographic searchings, it shows the foundations of Goldblatt’s critical passion for photography, his social sensitivity and political consciousness. Also to see are his most recent photographs, always in tight relation to the changing situation in South Africa, his native country. \u003cem\u003eStructures of Dominion and Democracy\u003c\/em\u003e assembles many of Goldblatt’s influential series including “On the Mines,” “Some Afrikaners” and “Structures” with some less well-known including “Kas Maine,” and reconstructs the history of their first publication in the international press. Reproducing original handmade dummies and working plates, the process of bookmaking and other diverse applications of these often iconic images are laid bare. In addition to texts by the photographer, essays by Ivor Powell and Karolina Ziebinska-Lewandowska explore Goldblatt’s work in the context of South African political and cultural history, as well as his contribution to the wider history of photography.\u003c\/span\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cspan\u003eEdited by Karolina Ziebinska-Lewandowska\u003c\/span\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003ePublishing date: \u003c\/strong\u003e\u003cspan\u003e1. Edition 02\/2018\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eBinding:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cspan\u003eHardback\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eContent:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cspan\u003e344 pages, 383 images\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eFormat:\u003c\/strong\u003e \u003cspan\u003e24 x 32 cm\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eLanguage:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e English\u003c\/span\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eISBN 978-3-95829-391-5\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":52369824514389,"sku":"9783958293915","price":48.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/David_Goldblatt_Structures_of_DOMINION_AND_DEMOCRACY_STEIDL_CENTRE_POMPIDOU_BOOK_PARADIS_Digital_Superstore_1.jpg?v=1789562629"},{"product_id":"vandalism-john-divola","title":"Vandalism - John Divola","description":"\u003cdiv class=\"product__description rte remove-empty-space\"\u003e\n  \u003cp\u003e\u003cspan\u003eBetween 1974 and 1975, the American photographer John Divola – then in his mid twenties and without a studio of his own – travelled across Los Angeles in search of dilapidated properties in which to make photographs. Armed with a camera, spray paint, string and cardboard, the artist would produce one of his most significant photographic projects entitled Vandalism. In this visceral, black and white series of images Divola vandalised vacant homes with abstract constellations of graffiti-like marks, ritualistic configurations of string hooked to pins, and torn arrangements of card, before cataloguing the results. The project vigorously merged the documentary approach of forensic photography with staged interventions echoing performance, sculpture and installation art. Serving as a conceptual sabotaging of the delineations between such documentary and artistic practices, at a time when the ‘truthfulness’ of photography was being called into question, \u003c\/span\u003e\u003cem\u003eVandalism\u003c\/em\u003e\u003cspan\u003e helped to establish Divola’s highly distinctive photographic language. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n  \u003cp\u003e\u003cbr\u003e\u003cspan\u003eJohn Divola (b. 1949 in California, United States) earned a BA from California State University, Northridge (1971) and an MA from University of California, Los Angeles (1973). His images challenge the boundaries between fiction and reality, as well as the limitations of art to describe life. \u003c\/span\u003e\u003cem\u003eVandalism\u003c\/em\u003e\u003cspan\u003e (1974-1975) is one Divola’s earliest series, predating \u003c\/span\u003e\u003cem\u003eZuma\u003c\/em\u003e\u003cspan\u003e (1979), \u003c\/span\u003e\u003cem\u003eAs Far as I Could Get\u003c\/em\u003e\u003cspan\u003e (1997) and \u003c\/span\u003e\u003cem\u003eDogs Chasing My Car in the Desert\u003c\/em\u003e\u003cspan\u003e (2004).\u003c\/span\u003e\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003cp data-end=\"1204\" data-start=\"861\"\u003e\u003cstrong\u003ePublishing date: \u003c\/strong\u003e\u003cspan\u003eApril 2018\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cb\u003eBinding: \u003c\/b\u003e\u003cspan\u003eEmbossed paper-bound hardback\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eContent:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cspan\u003e120 pages\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eFormat:\u003c\/strong\u003e \u003cspan\u003e23,5 x 23,5 cm\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eLanguage:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e English\u003c\/span\u003e\u003c\/p\u003e\n  \u003cp data-end=\"1204\" data-start=\"861\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eISBN 978-1-912339-00-6\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":52444194832725,"sku":"9781912339006","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/John_Divola_Vandalism_Los_Angeles_MACK_PUBLISHING_BOOK_PARADIS_Digital_Superstore_1.jpg?v=1789562653"},{"product_id":"mari-katayama-synthesis","title":"Synthesis - Mari Katayama","description":"\u003cp\u003e\u003cem\u003eSynthesis\u003c\/em\u003e is a striking artist’s book that brings together six years of work by acclaimed Japanese multimedia artist Mari Katayama. Created between 2019 and 2025 – a period marked by the birth of her daughter and a return to Gunma, the rural province where she grew up – the book brings together nine photographic series, including the brand new \u003cem\u003eTree of Life\u003c\/em\u003e, all produced in her home studio. This space becomes both a site of meditation and a stage for transformation. \u003c\/p\u003e\n \u003cp\u003eIn these intricately composed self-portraits, Katayama places her own body in relation to hand-sewn sculptures, threaded forms, and delicate paper collages. The resulting images are dense with material and memory, each one an act of making in which identity, history, and gesture are stitched together. ‘How do we perceive others, and how are we perceived by others?’ she asks. ‘What is “correct”? What is “natural” and “artificial?”’ \u003c\/p\u003e\n \u003cp\u003eAcross the book, her practice unfolds as a continual act of transformation – where nothing is fixed or discarded, but rather reshaped and carried forward. This process resonates with the philosophical notion of synthesis in its dialectical sense: a holding-together of opposites, where past and future, beginning and end, presence and absence, are preserved and transcended in new form. At its core, \u003cem\u003eSynthesis\u003c\/em\u003e is a fierce and intimate celebration of the body – not as static or whole, but as a shifting, powerful site of beauty, resilience, and becoming. \u003c\/p\u003e\n \u003cp data-start=\"861\" data-end=\"1204\"\u003e\u003cstrong\u003ePublishing date: \u003c\/strong\u003e\u003cspan\u003eSeptember 2025\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cb\u003eBinding: \u003c\/b\u003e\u003cspan\u003ePaperback. + Japanese Binding\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eContent:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e 96\u003cspan\u003e pages\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eFormat:\u003c\/strong\u003e \u003cspan\u003e24.5 x 36.5 cm\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eLanguage:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e English\u003c\/span\u003e\u003c\/p\u003e\n \u003cp data-start=\"861\" data-end=\"1204\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eISBN 978-1-917651-11-0\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":52616545468757,"sku":"9781917651110","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/Mari_Katayama_Synthesis_Mack_Photography_art_BOOK_PARADIS_SUPERSTORE_DIGITAL_1copie.jpg?v=1789562691"},{"product_id":"mark-borthwick-pola-pan","title":"Mark Borthwick - 'Out of Date': Pola Pan 1984-1996","description":"\u003csection class=\"book-meta pb-3\"\u003e\n  \u003cp\u003e\u003cb\u003eAn iconic fashion photographer and pioneering cult hero of the 1990s fashion scene revisits his early black-and-white work on Pola Pan polaroid film in this exceptional fine art photography book.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eBorthwick is regarded as one of the most influential fashion photographers of our time, ranking among the generation who in the nineties broke through the conventions of fashion photography.\u003cbr\u003e\u003cbr\u003eBorthwick digs deep into his archive of early work shot on Pola Pan—a 35mm black-and-white instant Polaroid film. The young experimental photographer was elliptically charmed by this film, which taught him the fragility of time and unwittingly encouraged him to trust in the virtues of mistakes, shaping his gentle, romantic, and dreamy signature photographic aesthetic. The book features his documentation of the streets of Paris and New York in the 1980s and 1990s, including portraits of family and friends; early fashion work featuring iconic models such as Kate Moss, Carolyn Murphy, Kristen Owen, and Stella Tennant; collaborations with fashion designers such as Maria Cornejo, John Galliano, and his muses such as Chloe Sevigny, Kim Gordon, Jane Birkin, Marianne Faithfull, Michael Hutchinson, and Vanessa Paradis; and his iconic album covers for Sinéad O’Connor.\u003cbr\u003e\u003cbr\u003eThis will be the first major book of Borthwick’s published in the last fifteen years. A groundbreaking fashion photographer, artist, and musician, this book will appeal to the legion of devoted fans of fashion, contemporary art, photography, and the alternative music scene.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"book-meta pb-3\"\u003e\n  \u003ch3 class=\"secondary-header mb-2\"\u003eAbout The Author\u003c\/h3\u003e\n  \u003cp\u003e\u003cb\u003eMark Borthwick\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis a poet and a musician, but he is particularly known as one of the most influential alternative fashion photographers of his generation. His editorial work regularly appears in all of the top international fashion publications, and his advertising campaigns include Balenciaga, Martin Margiela, Gucci, Adidas, Max Mara, Nike, and Vanessa Bruno. Borthwick’s works have been shown in exhibitions in the United States, Europe, and Japan and featured in art magazines such as\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eArtforum\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFlash Art\u003c\/i\u003e.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCarla Sozzani\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eis an Italian book and magazine editor, gallerist, and businesswoman. She founded Galleria Carla Sozzani, in 1989 and is the creator of 10 Corso Como, an art and fashion establishment in Milan.\u003c\/p\u003e\n  \u003c\/section\u003e\n  \u003cp data-start=\"861\" data-end=\"1204\"\u003e\u003cstrong\u003e\u003cbr\u003ePublishing date: \u003c\/strong\u003eSeptember 2025\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eBinding: \u003c\/strong\u003eHardcover\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eContent:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cspan\u003e384 pages\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eFormat:\u003c\/strong\u003e 23 x 28 cm\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eLanguage:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e English\u003c\/span\u003e\u003c\/p\u003e\n  \u003cp data-start=\"861\" data-end=\"1204\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eISBN \u003cmeta charset=\"utf-8\"\u003e978-0-8478-9991-3\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":52616845820245,"sku":"9780847899913","price":135.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/Mark_Borthwick_pola_pan_rizzoli_Photography_art_BOOK_PARADIS_SUPERSTORE_DIGITAL_1.jpg?v=1789562698"},{"product_id":"paolo-roversi-palais-galliera","title":"Paolo Roversi - Palais Galliera","description":"\u003csection class=\"book-meta pb-3\"\u003e\n  \u003csection class=\"row center-lg center-md center-sm center-xs\"\u003e\n  \u003cdiv class=\"col-lg-6 col-md-6 col-sm-6 col-xs-12\"\u003e\n  \u003cdiv class=\"desc-product\"\u003e\n  \u003cp\u003eFor the first time in its history, the Palais Galliera is devoting a monograph to a living photographer:\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePaolo Roversi.\u003c\/strong\u003e\u003c\/p\u003e\n  \u003cp\u003ePaolo Roversi was born in Italy but moved to Paris in 1973. Since then, he has worked for the most prestigious magazines, including Vogue France, Vogue Italia, Egoïste, and Luncheon. Throughout his career he has worked with the world’s leading fashion designers, most notably Yohji Yamamoto, Romeo Gigli and Rei Kawakubo for Comme des Garçons.\u003c\/p\u003e\n  \u003cp\u003eSince his years as an apprentice, Roversi’s choice of studio, large-format cameras and Polaroid, too, have defined both his working methods and his aesthetic, although he has also successfully adapted to digital photography.His signature is instantly recognisable: soft, sepia-toned black and white, shot in natural light; a density and depth of colour achieved by using a Mag-Lite flashlight. Over the years, Paolo Roversi has explored and invented his own photographic language, accepting chance and accidents as opportunities to develop his style.\u003c\/p\u003e\n  \u003cp\u003eCatalogue under the direction of Sylvie Lécallier and Paolo Roversi.\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003csection class=\"section-product row center-lg center-md center-sm center-xs\"\u003e\n  \u003cdiv class=\"col-lg-6 col-md-6 col-sm-6 col-xs-12\"\u003e\n  \u003cdiv class=\"infos-product\"\u003e\n  \u003cp\u003e\u003cb\u003ePublished by : Paris Musées\u003c\/b\u003e\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003c\/section\u003e\n  \u003cp data-start=\"861\" data-end=\"1204\"\u003e\u003cstrong\u003ePublishing date: \u003c\/strong\u003eMarch 24\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eBinding: \u003c\/strong\u003eHardcover\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eContent:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e \u003cspan\u003e208 pages\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eFormat:\u003c\/strong\u003e 23,2 x 29 cm\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eLanguage:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e English\u003c\/span\u003e\u003c\/p\u003e\n  \u003cp data-start=\"861\" data-end=\"1204\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003eISBN \u003cmeta charset=\"utf-8\"\u003e\n  \u003cb\u003e 978-2-7596-0575-0\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":52617166389589,"sku":"9780500029206","price":62.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/Paolo_Roversi_Palais_Galliera_Thames_Hudson__Photography_art_BOOK_PARADIS_SUPERSTORE_DIGITAL_1copie.jpg?v=1789562703"},{"product_id":"christopher-niquet-cn","title":"Christopher Niquet CN","description":"\u003csection class=\"book-meta pb-3\"\u003e\n \u003csection class=\"row center-lg center-md center-sm center-xs\"\u003e\n \u003cdiv class=\"col-lg-6 col-md-6 col-sm-6 col-xs-12\"\u003e\n \u003cdiv class=\"desc-product\"\u003e\n \u003cdiv class=\"product-info__description para\" itemprop=\"description\"\u003e\n \u003cdiv class=\"product-info__description-inner\"\u003e\n \u003cp\u003e\u003cstrong\u003eDesigned by Christopher Niquet and Julian Taffel \u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003e\u003cstrong\u003eSoftcover 80 pages. 27 x 21.5cm.\u003c\/strong\u003e\u003c\/p\u003e\n \u003cp\u003eThe new IDEA book is CN — The Christopher Niquet Book . An album of photographs of the Paris and New York fashion and stye icon. It is, in fact, an icon book, very much in the style of Japanese fan books we love so much at IDEA. Take someone with innate cool and make a beautiful book of nothing but pictures of them.\u003c\/p\u003e\n \u003cp\u003eThis book may have been an IDEA idea (Angela Hill writes the foreword) but the book is very much Christopher's own. You wouldn't take someone with such a peerless aesthetic and precise eye and not ask them to design the book.\u003c\/p\u003e\n \u003cp\u003eThe book is so simple. There is no text. It isn't necessary. The photographs, of which there are a great many, tell the story.\u003c\/p\u003e\n \u003cp\u003ePhotographers include Steven Meisel, Jack Pierson, David Armstrong, Ezra Petronio, Karl Lagerfeld, Ellen von Unwerth, Katja Rahlwes, Jean-Baptiste Mondino, Blommers and Schumm... And that's it: a picture book.\u003c\/p\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/div\u003e\n \u003c\/section\u003e\n \u003c\/section\u003e\n \u003cp data-start=\"861\" data-end=\"1204\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":52879686730069,"sku":"CNBOOK","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/Christopher_Niquet_NC_Writer_Muse_IDEA_BOOK_PARADIS_DIGITAL_SUPERSTORE_1.jpg?v=1789562721"},{"product_id":"american-photography-rijks-museum","title":"American Photography (Rijks Museum)","description":"\u003csection class=\"book-meta pb-3\"\u003e\n  \u003csection class=\"row center-lg center-md center-sm center-xs\"\u003e\n  \u003cdiv class=\"col-lg-6 col-md-6 col-sm-6 col-xs-12\"\u003e\n  \u003cdiv class=\"desc-product\"\u003e\n  \u003cdiv class=\"product-info__description para\" itemprop=\"description\"\u003e\n  \u003cdiv class=\"product-info__description-inner\"\u003e\n  \u003cp\u003eThe visual narrative of the modern United States: from canonical photography by Robert Frank and Diane Arbus to vernacular picture postcards and magazine spreads.\u003c\/p\u003e\n  \u003cp\u003eSince its invention in 1839, photography has become deeply embedded in American society. American Photography captures this phenomenon through over 280 images, portraying American life through the lenses of renowned photographers such as Nan Goldin, Dawoud Bey and Paul Strand. The catalog begins with selected images from perhaps the most famous photo essay on American life, Robert Frank’s The Americans (1958). It then moves beyond the classical canon to offer a striking selection of vernacular photography: vintage magazine advertisements for Coca-Cola and Cadillac; family albums; postcards; and album covers. These examples are integrated seamlessly among the more well-known images until any supposed distinction between “high art” and “low culture” is erased.\u003cbr\u003eThis story of American photography is told through the outstanding collection of the Rijksmuseum, enriched by loans from US institutions including the Museum of Fine Arts, Boston; Philadelphia Museum of Art; San Francisco Museum of Modern Art; Art Institute of Chicago; and the National Gallery of Art, Washington.\u003c\/p\u003e\n  \u003cdiv class=\"product_meta\"\u003e\u003c\/div\u003e\n  \u003cp class=\"isbn\"\u003eISBN: 9789462089044\u003c\/p\u003e\n  \u003cp class=\"meta\"\u003e320 pages, illustrations in color \u0026amp; b\/w, 29 x 23,2 cm, hardcover, English\u003c\/p\u003e\n  \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003c\/div\u003e\n  \u003c\/section\u003e\n  \u003c\/section\u003e\n  \u003cp data-start=\"861\" data-end=\"1204\"\u003e \u003c\/p\u003e","brand":"Paradis","offers":[{"title":"Default Title","offer_id":53153804976469,"sku":"9789462089044","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0814\/0849\/1861\/files\/AMERICAN_PHOTOGRAPHY_RIJKS_MUSEUM_BOOK_PARADIS_DIGITAL_SUPERSTORE_1copie.jpg?v=1789562725"},{"product_id":"bounty-steve-mcqueen","title":"Bounty - Steve McQueen","description":"\u003cp class=\"Paragraph SCXW259817245 BCX0\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-GB\" class=\"TextRun SCXW259817245 BCX0\"\u003e\u003cspan class=\"NormalTextRun SCXW259817245 BCX0\"\u003eArtist and filmmaker Steve McQueen continues his exploration of colonial history and its legacies in this new book \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW259817245 BCX0\"\u003ecomprised\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW259817245 BCX0\"\u003e of meditative photographs of Grenada’s flora. 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It unfolds through a compelling combination of image and text, with photographs encompassing portraits of women, landscapes, and spaces both vast and claustrophobic, as well as still lifes in which plants, domestic objects, and weapons are absurdly combined, alluding to impermanence and cultural double standards.\u003c\/p\u003e\n  \u003cp\u003eThis distinctive visuality is interwoven with letters written by Parlato to an ambiguous, ageless, and perhaps illusory recipient. Through these entwined mediums, the artist looks both out and in, reckoning with a wild variety of physical and emotional experiences including the disjuncture between the way we see ourselves and the ways others see us as we age. Bodily transformation and the passing of time are pictured as both brutal and freeing as Parlato carves out a psychological space to contend with her fears and fantasies around aging in ways verging on the eerie and surreal. 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