{"title":"Set Margins'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSet Margins’ is an international publisher delivering critical experiences, discourse, and dialogue through art and design, to frame current impulses from the margin with particular focus for communication, forms of cooperation, and involved politics.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"remy-shah-jeremy-sharma-slander-an-autotheory-of-six-malayan-films","title":"Remy Shah \/ Jeremy Sharma-Slander! an autotheory of six malayan films","description":"\u003cp\u003e\u003cem\u003eWhy did we not explore the Malay world that we formerly inhabited? How did Malaya’s flourishing cinema of the 1950-60’s, a Southeast Asian counterpart of Hollywood, fade into oblivion?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePerhaps this happened by the slander of imagination brought upon ourselves, being in constant demand to construct, upgrade, reclaim and renew. The increased silence of the past rests upon a culture that becomes complicit with silence. It presses, yet probes like a burden, partially self-imposed through the everyday.\u003c\/em\u003e\u003c\/p\u003e\n \u003cdiv\u003e\n \u003cp class=\"Basisalinea\"\u003e\u003cspan lang=\"EN-US\"\u003eThis book is a study of six films made between 1958–1963 in pre-independence Singapore, as told through the fictional persona of Remy Shah. In his story, Shah applies characteristics of both fiction and theoretical essays, along timestamps and still images of film sequences. It is a book of autotheory; a kind of meta-novel which is at once a diary, a thesis, and a meditation. 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